The Fenland of East Anglia with its black earth, vast skies and keen east wind was the landscape of my childhood.
A sense of being able to breathe freely and deeply outside developed along with an interest in expressing those
feelings in paint. I began to work on location in all weathers because I welcomed the weather as a participant in
the process of of making (and sometimes loosing) images.
Over the years the locations shift- often northwards as it happens- and so does the medium,
but the starting point does not. It is all about being somewhere specific at a particular time:
Experience of Landscape - not only what it looked like but also what it felt like to be there.

click below to see a selection of
work made in Scandinavian locations