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ANTARCTICA
current

 

current

2005-2011 ANTARCTICA on-going

SOLO EXHIBITION: JULY 2011 BAabylon Gallery, Ely, Cambs

DRAWN TO ANTARCTICA

ANTARCTICA ENCORE performance February 2010

 

 

TEACHING RESOURCE

ICE PACK CONTENT


ICE PACK contains ideas suitable for 6-12 year old pupils

a. CD: 6 x Powerpoint presentations and 8 linked activities.

b. copy of DRAWN TO ANTARCTICA published by Viriditas Press 2009

c. music CD: IMPROVISING ANTARCICA @ £12 A live recording of music spontaneously composed at an hour long event at Kube, Poole, UK, in which musicians and a group of artists, responded to images and photographs previously created by me, all inspired by Antarctica. I use it in the context of the large scale FREEZING FRIEZE practical activity.

d. POSTCARDS (samples in pack) extras on request.

 

ICE PACK for use in schools: pack £40 incl p&p

PUBLICATION

DRAWN TO ANTARCTICA

an 80 page book fully illustrated account tracing my involvement with Antarctica. I made it in order to bring together the whole Antarctic project from its beginnings in 2004 through to 2009.

£12 incl p&p.


COLLABORATION WITH MUSICIANS


Europa String Choir. Cathy Stevens and Udo Dzierzanowski.On-going collaboration:

Cathy, Udo and Frances first met in 2002 at the first Zaum performance at the Study Gallery, Poole and have since collaborated on a regular basis as part of the ‘Safehouse’ improvisation collective & on projects including Improvising Antarctica (2005), Brotherswater (Kube, Poole, 2009), with the poet, Owen Davis (Kube, Poole, 2009), at the Unsafe Festival (Lighthouse)2008/2009 and Bournemouth University 2010 (Antarctica Encore).

 

Member of SAFEHOUSE (South Coast New Music Collective) as a maker of sounds rather than as a maker of marks. Involvement with musicians and with improvisation continues: see www.myspace.com/safehousepoole.

 


 


view of studio work in progress.

I booked an Antarctica Day at Royal Geographical Society and I handle Shackleton's Bible and leaf through The South Polar Times.

Turquoise berg.oil on paper
The rapid gesture of monoprinting makes a satisfactory method of trying out form and colour relationship of iceberg to ocean.

INSIGHT: June 2007 arriving at a clearer understanding of why I desired to go to Antarctica rather than to any other destination. I think it was a desire to experience spaciousness and a longing to embrace it some how in my own living.

SPRING 2009
Continue to develop studio work. During February snow fall, worked outside on snow to make work while listening to:
FREE IMPROVISATION ANTARCKTIS 1

 

'The impulse to paint comes neither from observation nor from the soul (which is probably blind) but from an encounter between painter and model- even if the model is a mountain or a shelf of empty medicine bottles'.

John Berger The Shape of a Pocket

Glow Berg Glow acrylic on board
click image to enlarge

 

'The modern illusion concerning painting...is that the artist is a creator. Rather he is a receiver. What seems like creation is the act of giving form to what he has received'.
John Berger The Shape of a Pocket

Perhaps the worst thing that could happen to my creativity is that the blue-eyed, somewhat serious little boy that is looking at the world in wonder would die. I wish him a long life.
Lasse Kempas (contemporary Finnish artist)


current

 to print this document use landscape format.

 

 
contact: info@franceshatch.co.uko