Frances' studio is in the middle of Weymouth and is 5 minutes away from the rail station- mainline to London Waterloo. Visits welcome by appointment. All work is for sale. Contact for details.
contact E: info@franceshatch.co.uk M: 07946903930
contact E: info@franceshatch.co.uk M: 07946903930
PRACTICE
Direct work en plein air is central to Frances' site-responsive practice. She attends to the particularity of each sensory experience of place. The studio has moved to Weymouth, Dorset- behind the Chesil Beach as before- but it is Portland Harbour that sits in front of her now. She touches base with the sea every morning.
'Place provides pigment and tools. Weather, tide and season animate, reveal and conceal. I document collect, participate, play. Materials shift hourly, daily, yearly and over millennia. Site materials enter and inhabit the work: each piece is particular and provisional. Cellophane sits with the Cenozoic.'
February 2020
FROM DORSET WITH LOVE
DAY BREAK, BURTON MERE, behind Chesil Beach, turning towards West Bexington. diptych.2019. watercolour, gouache and site materials on cotton rag handmade paper. 62x28cm framed size
FROM DORSET WITH LOVE: gallery open to view from 3rd June - view all works on line!
3 May until Sunday 21 June 2020
online and real exhibition at Sladers Yard Contemporary Art Gallery and Cafe, West Bay, Dorset
From Dorset with Love
Recent paintings by Julian Bailey, Martyn Brewster, Vanessa Gardiner, Anthony Garratt, Frances Hatch, Alex Lowery with Petter Southall furniture, Clare Trenchard sculpture & David West woodcarvings
3 May until Sunday 21 June 2020
online and real exhibition at Sladers Yard Contemporary Art Gallery and Cafe, West Bay, Dorset
From Dorset with Love
Recent paintings by Julian Bailey, Martyn Brewster, Vanessa Gardiner, Anthony Garratt, Frances Hatch, Alex Lowery with Petter Southall furniture, Clare Trenchard sculpture & David West woodcarvings
CURATED COLLECTION: pieces of work made in the landscape involving bird life. Over these last months I've found myself particularly attentive to the habits of birds in my locality. I include them in this collection.
BLACKBIRDS FEASTING ALONG THE SHORE. May 2020. Castle Cove. True gesso and site materials with watercolour on handmade cotton rag paper. 8x15cm.
MENTORING OPPORTUNITY
I have a few spaces available for mentoring - see more information here
I have a few spaces available for mentoring - see more information here
ROYAL WATERCOLOUR SOCIETY
Annual Open Exhibition Bankside Gallery - now ended but please Browse the works
Annual Open Exhibition Bankside Gallery - now ended but please Browse the works
THE COMMON GROUND see works
just published: Director's blog
the exhibition will re open when it is safe to do so.
CRAFTS STUDY CENTRE, UNIVERSITY FOR THE CREATIVE ARTS, FALKNER ROAD, FARNHAM, SURREY, GU9 7DS
just published: Director's blog
the exhibition will re open when it is safe to do so.
CRAFTS STUDY CENTRE, UNIVERSITY FOR THE CREATIVE ARTS, FALKNER ROAD, FARNHAM, SURREY, GU9 7DS
The Common Ground is curated by, and presents the paintings and drawings of, Frances Hatch. Its starting point is her observation of the glaze test vessels and notebooks of the potter Katharine Pleydell-Bouverie from the Crafts Study Centre’s collections. These reflect what Hatch calls ‘her curiosity about the specificity and particularity of materials local to her. In these pieces I meet an artist very much like myself – curious about her “common or garden ground”’.
Frances Hatch has selected a group of ceramics by contemporary makers who also specifically connect to this notion of ground, surface and the specificity of place: Adam Buick, Kyra Cane, Jack Doherty and Akiko Hirai. These works, along with Hatch’s allow her ‘to adopt a wide field of vision to soften the gaze and stand on a common ground where all artists meet’. The radical landscape poet Elisabeth Bletsoe has written a poem for the exhibition which will be in a publication available from the Crafts Study Centre at £10 or from Frances at £10 + p&p.
Frances Hatch has selected a group of ceramics by contemporary makers who also specifically connect to this notion of ground, surface and the specificity of place: Adam Buick, Kyra Cane, Jack Doherty and Akiko Hirai. These works, along with Hatch’s allow her ‘to adopt a wide field of vision to soften the gaze and stand on a common ground where all artists meet’. The radical landscape poet Elisabeth Bletsoe has written a poem for the exhibition which will be in a publication available from the Crafts Study Centre at £10 or from Frances at £10 + p&p.
Available from the Crafts Study Centre at £10
or from Frances at £10 + p&p.
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page selected from publication: Jack Doherty and Frances Hatch
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EVENTS
IN CONVERSATION
Frances Hatch in conversation with Simon Olding
it will be re-scheduled
Join artist and curator Frances Hatch who will discuss the curatorial objectives of her exhibition The Common Ground and its connectivity to her own practice as a visual artist and as a writer. The link to writing will also enable a discussion on the new poem by Elisabeth Bletsoe written for the exhibition. Frances will be in conversation with the Director of the Crafts Study Centre, Professor Simon Olding.
Frances Hatch in conversation with Simon Olding
it will be re-scheduled
Join artist and curator Frances Hatch who will discuss the curatorial objectives of her exhibition The Common Ground and its connectivity to her own practice as a visual artist and as a writer. The link to writing will also enable a discussion on the new poem by Elisabeth Bletsoe written for the exhibition. Frances will be in conversation with the Director of the Crafts Study Centre, Professor Simon Olding.
CRAFTS STUDY CENTRE, UNIVERSITY FOR THE CREATIVE ARTS, FALKNER ROAD, FARNHAM, SURREY, GU9 7DS
Email for booking: CRAFTSCENTRE@UCREATIVE.AC.UK
Telephone for booking: 01252 891450
Email for booking: CRAFTSCENTRE@UCREATIVE.AC.UK
Telephone for booking: 01252 891450
ROYAL INSTITUTE OF PAINTERS IN WATERCOLOURS Annual Open Exhibition: Mall Galleries London SWI. This show will not go ahead as planned...maybe in the future
Here is the link to this year’s exhibition on-line:
Here is the link to this year’s exhibition on-line:
NEWSLETTER
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SUBSCRIBE TO THE NEWSLETTER: news- reflections- information- current work- exhibitions-courses. I post a few times a year. |
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INSTAGRAM FEED: @francesahatch
STUDIO DAY BY DAY: informal responses to working life 'in the field'
STUDIO DAY BY DAY: informal responses to working life 'in the field'